/x-tad-bigger>/color>/fontfamily>
Modern Times is absent in the drawn reality of Erik Mattijssen. His
residencies in rural central Spain and the most deserted villages of
North West Ireland guarantee the best source of inspiration for his
interior pastels. Arriving in Emmerich he knew it wouldn’t be easy to
find old, historical sites with the beauty of the simplicity he has a
strong craving for. One of the locals drew his attention to a typical
Emmerich location; the café /x-tad-bigger>Onder de
Poort /x-tad-bigger>and more important its owner
/x-tad-bigger>Frau Tübbe/x-tad-bigger>. Struck
by the ambiance and its amazing arrangement of artefacts, ceramics,
furniture and carpets, he knew he would make the café and its owner the
main motif for his Emmerich portrait.
The information
that the original café dated from 1414 permitted him the thought that
Dürer might have enjoyed his three penny meal at this specific spot. He
decided to draw a representation of that space directly on the wall in
the black and white tradition of Dürers’ woodcarvings. The first guest
in the café was Frau Tübbe, who resided on a chair in front of the
drawing on the opening night./x-tad-bigger>/color>/fontfamily>
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